Royalty Free Logic Pro X Templates and Projects by Logitunes – FREE Plugin – ComBear
Cinematic Trap Beats in Logic Pro X – Free Template. $ How to make a Tyga type beat in Logic Pro X $ Drill Type Beat – FREE Logic Pro X Template. $ Logic Pro X Sequencer – Trap Drum Template. $ How to make trap hi-hats in Logic Pro X. Oct 08, · DOWNLOAD: Hold Back Free Template Created in Logic Pro X Logic Pro X Templates are produced exclusively. Read more. Posted in. Free Templates Logic Pro X Logic Pro X Free Templates News Test before ted Reading Time: 2 mins. Logic Pro X. Download Logic Pro X Project Templates. % Royalty Free. House / EDM / Trap / Hip-Hop Genre. 58 Products.
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Here we go. A monstrous list of free templates. Be aware that most websites do require you to register or follow them in order to access their free content. Templates are available by genre, instrument, as remixes, and for mastering. Templates will have instruments loaded, effects loaded, and all of the presets will be included.
Once you load a template you will find everything so perfectly organized all you need to do is start creating music. Templates are designed by using the DAW specific plugins and settings.
Making the template universal. On occasion, you will find templates that include presets for 3rd party plugins. These 3rd party plugins are not included in the template. Whether you are a new producer or a seasoned pro, templates are a great tool to stay up to speed on the latest innovations in audio production. Depending upon the version of Logic you are using. Below are a couple of ways to go.
This was worth a mention. There are some good ones. So if you got a dollar. And there you have it. Free Logic templates to keep your creativity pumping, and your workflow positive.
If you did a remix using one of these templates, please share in the comment section below. Production covers everything from catchy loops and midi files to sick sylenth presets! Highly recommend them! Production has some great libraries! We use many W. They are one of the best companies on the market. Really helpful for sparking inspiration or adding variety to your music! Production have been used in most of our top tracks!
I recommend them to all upcoming producers”. Also the Sylenth1 and Spire Sound Libraries are so fresh! Great job guys! All of the samples are of high quality and are completely current into today’s “EDM” market. A production because of the great quality of the sounds! With these samples it immediately makes your productions sound more clean and professional! The programing and kits are top notch and sound like tracks which are on the Beatport Charts.
I also love the diversity in the samples and styles they have. Using some of their sample and preset packs!!.. Quality stuff!! We have a new and amazing rewards system! Allowing you to get a unique currency and have the opportunity to exchange it for amazing rewards! Head over to our Rewards page for more information! This here is our Regular License. You are able to use this particular license to learn and or to add some elements in your track.
You may only use this for a non profit media background. This here is out Commercial License. You are able to use this particular license in you app, video and or compilations. This here is our Full License. This particular license is sold only once to a single user or a single company. Resell the rights to the master, renaming the master, releasing on a record label under your name, distribute or resell the project files and or register the copyrights under yourself or a company.
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– Free Templates.FREE Logic Pro X DAW Templates | Free DAW Templates – SoundShock
I always want to see the CPU usage so that I can be careful about my plugin usage. Some plugins can drain your CPU, so you have to keep an eye on this. If it gets worse, I try to freeze my channels to keep adding big plugins to the project. Sometimes I have to figure out something, so I open a piano plugin to play with the song, and once in a while, I record extra back vocals. You can do this when Low Latency Mode is on. This one also saves lives.
Sometimes I decide if there are any needs for a pad synth or some extra sub frequencies from a synthesizer. And the last thing that I want is to forget what I just found. This setting continuously records what you play on your MIDI, so you can always find the best part of your improvisation.
I discovered this one later, but I love it. Because it helps a lot to see the timing on the ruler with the bars. It was a habit when I was using Pro Tools, and I was missing that feature. I always think of the channels in groups because it helps to understand the song. For example, when you download a channels multitrack file and import it to your mixing project, it can be scary at first.
Also, you can process the same kind of sounds together if you use those bus groups. For example, I always tend to compress the drums together to get the most energy out of them. Therefore, I have to route all of them to a bus group. Having that group from the beginning is perfect for me. The bus routings are on the second page of the buses, so your primary bus names can stay the same.
You can see it below:. Set the bus groups from the beginning of a mix project, and delete the unnecessary ones. So this is why I put a VCA type compressor on the drum bus group. You can always tweak it to your liking, and I encourage you to do so because every song is different. But if you want energetic drums, this compressor will help you a lot.
Sometimes I want a big, powerful sound from drums. When I want that, I use the Drum Crush bus. It compresses the signal to hell and adds some distortion to make it even more powerful.
I put there a compressor and an overdrive plugin, but you can always use its variations. For example, if you have something like a tape machine, you can add it with your favorite settings on every bus group, so you can always reach them with just a click. Then, you can start mixing with those plugins bypassed, and you can open them when you need.
There is a stereo out bus; why would I use a mix bus? Good question. I use it for a couple of reasons. Sometimes I need to send the whole mix to another bus group to parallel process it, or I can put some weird effects on it and dial with the mix. So you can do that with the Mix Bus group. Also, I always use a monitoring plugin on my stereo bus, which decreases the volume. I always keep an eye on my mix bus, and I put my limiter on the stereo out when I need it.
So, the groups work like this: the channels routes to bus groups, and the bus groups routes to mix bus. Then the mix bus goes to stereo out. I realized that I almost always tend to use a compressor on my mix bus to get the most energy from the mix, so I put a compressor on the mixing template.
You have to listen to the song and dial the settings of the compressor to your likings. The best way to do this is to take the threshold all the way down to where it compresses around dB. And change the attack and release parameters there. When you find the best settings for your mix, take the threshold back. There is no rule for that, but around 3 to 4 dB will be nice.
They are easily editable and highly customizable. Click here to view discounted products. Logitunes blog. Each Logic project template has been expertly mixed and mastered to help you learn the latest techniques and tricks.
Our Logic templates were made using solely built-in Logic Pro plugins and few third party synthesizers. All chains including the master chain , plugins and synthesizer presets professionally customized and tuned by experienced sound producers. You can easily adjust and use all of them in your own projects. You can freely use samples and MIDI files that come with our Logic templates for your own commercial productions.
We are using various mixing and mastering techniques so you can easily learn them by reverse engineering projects. Our Logic templates are professionally arranged and allow you to learn how to build a well arranged, dj friendly EDM track.